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| Installations Stochastic Resonance (2010) An ongoing series of experiments utilising Stochastic Resonance, specifically in the context of EVP (Electronic Voice Phenomenon) and ITC (Instrumental Transcommunication) #1 ~ Area10, Peckham, London - 25th April 2010 | Documentation here Rainforest IV (2009) Area10, Peckham, London - 3rd & 4th of July 2009 - from 2pm to 23pm Performed as part of a live realisation of the Davd Tudor composition, Rainforest IV. Other performers included Ryan Jordan, Julien Ottavi, Kasper Toeplitz, Jean-Baptiste Thiebaut, John Bowers, Dominique Leroy, Chris Weaver, Jenny Pickett, Ryo Ikeshiro, Dawn Scarfe, Andy Wheddon, Duncan Ravenhall and Antonis Antoniou. Photographs Audio Public/Private (2007) An unmanned sound installation which ran for five days between 28/08/07 and 01/09/07 in an empty bank vault in London. Each evening, an automated drone was set to run uninterrupted for three hours. The event was held in complete darkness. No instructions were given regarding the size or layout of the space. People where left to freely explore the vaults chambers. The sounds were generated using the supercollider software environment. This allows for certain parameters such as pitch/frequency, volume, duration etc. to be suggested by the user. The computer then interprets these instructions and generates a live, real-time composition without the need for any further user interaction. The purpose of the event was to provide a live listening experience which was devoid of any visual information or any human performance element. The sounds (where possible) were set to a volume/pitch which made normal levels of conversation difficult amongst visitors to the installation. Film Audio Music for No Performance (2005) Recorded for the 17th Independent Arts Festival, Belgium. Not performed on Saturday 16 April 2005. Equipment: 1 x Table 1 x Angle-poise lamp (or similar) 1 x Compact disc player (portable, domestic, or professional) 1 x "Music for No Performance #1" cdr "No Performance" notes: The compact disc player should be connected to in-house PA system and placed on the table in front of the audience. The lamp should be positioned over the compact disc player and switched on. This should be the only light source for the "no performance". All other lights should be dimmed or turned off completely. The "Music for No Performance #1" cdr should be inserted into the compact disc player and played in its entirety at the maximum allowable volume. Once the "No Performance" is complete, copies of the "Music for No Performance #1" cdr should be freely distributed to all interested parties. The cdr will not be made commercially available elsewhere. * All 100 available copies of the disc were distributed to the assembled audience. |
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